
I recently stumbled across Camden-based, Laura Ford’s 2012 work Cats 1&2. Situated at the end of Bishopsgate, appropriately close to the junction of Leadenhall Street with Whittington Avenue, these two anxious and distracted larger-than-life size cats are part of a series called Days of Judgement. Ford was inspired by Masaccio’s fresco, The Expulsion from the Garden of Eden in the Brancacci Chapel in Florence, but instead of Adam and Eve, she gives us these tall, thin, distracted and abject creatures.
I started to think about the other London cat statues I know, all of whom serve either to emphasise their human companion’s humanity or serve as a memorial to the humans with whom they are connected.

Hodge, Dr Johnson’s “very fine cat indeed”, portrayed in Jon Bickley’s 1997 statue with one of the oysters he favoured, gazes out in a very proprietorially feline attitude across Gough Square from his position on a copy of Johnson’s famous dictionary. He is also at good height for visitors to the Square to stroke or drape an arm round.
Trim, Matthew Flinders seagoing”close companion” looks as though he has his own interests but seems content to stay close by in the busyness of the Euston Station concourse.
Sam, portrayed jumping down from a wall in a corner of Queen Square, lived with a active local resident Patricia Penn (Penny). Penny was a nurse, actively engaged in the local residents association and a campaigner for the preservation of the area’s historic buildings. The sculpture by John Fuller, was erected in 2002 and funded by local people to commemorate Penny’s life. The current version is mark two as the original was stolen in 2007. However, Sam won’t be able to jump down from the wall this time as the new sculpture is fixed to the brickwork with steel rods!
You may like to read more about Trim and Matthew Flinders